Roland MC-505
Released: 1997
MSRP: ?
Synopsis:
Similar to XP-60, but with different samples and pattern based sequencer, swapping disk drive for card.
Architecture Class: Rompler.
Ebay Description:
The Roland MC-505 is a desktop (aftertouch and velocity sensitive), 64 voice (multimbral), GS/GM compatible digital synthesizer, featuring an oscillator (714 samples with FM and ring-mod), a resonant high|low|band-pass|peaking filter, dedicated 4-stage pitch, filter, and amp envelopes, dual LFOs (noise, random, saw, sine, square, S/H, trapezoid, triangle waveforms with offset and attack|decay), portamento, reverb/delay, multi-effects, 768 presets (256 editable), 46 drum sets (20 editable), arpeggiator, 8-track sequencer (50 songs, 75k events) with 914 patterns (200 editable), D-beam, SmartMedia card slot, and MIDI.
Physical
Form Factor |
Dimensions |
Weight |
Audio Input |
Audio Output |
Communication Port |
Control Input |
Control Output |
Switch Input |
Power |
desktop |
W:462mm(18.1875in)
D:320mm(12.625in)
H:110mm(4.375in)
|
5kg (11.0625lbs) |
no |
stereo:3 |
MIDI:IN/OUT |
MIDI |
MIDI |
sequencer |
12W AC |
Interface
Compatibility |
Multitimbral Memory |
Program Memory |
External Storage |
External Programming |
UI Input |
UI Output |
MC-505 |
no |
preset-patches:512
user-patches:256
card-patches:512
preset-rhythm-set:26
user-rhythm-set:20
card-rhythm-set:20
|
MIDI-SysEx
SmartMedia(2|4MB)
|
MIDI-SysEx |
menu based |
LCD display |
Architecture
Multitimbral |
Polyphony |
Unison |
Architecture |
8+16(sequencer) |
64 |
no |
PCM->DCF->DCA |
Output
Effects |
Pan Modulator |
Volume Modulator |
Headphone |
reverb:6
delay:2
multi-effects:24
|
aftertouch
DBeam
key
LFO1/2
MIDI-CC
MIDI-Bend
velocity |
aftertouch
DBeam
key
LFO1/2
MIDI-CC
MIDI-Bend
velocity
A-ENV |
yes |
Control
Keyboard
Key Pressure |
Chord Memory |
External Control |
External Sustain |
Key Scaling |
Velocity Curves |
channel
polyphonic:rx |
no |
MIDI-SysEx |
pedal
MIDI |
variable |
7 |
Sample
Stereo |
Sample Depth |
Sample Rate |
Sample RAM |
Sample ROM |
Sample Points |
Sample Trigger |
Sample Loop |
Sample Edit |
no |
16bit |
? |
no |
? |
N/A |
N/A |
N/A |
no |
Source
Name |
Signal Class |
Waveform |
Octave Range |
Amplitude Modulator |
Harmonics Modulator |
Pitch Modulator |
Wave Assign Modulator |
Sample |
digital |
sample:741 |
- |
no |
fm
ring |
aftertouch
DBeam
key
LFO1/2
MIDI-CC
MIDI-Bend
velocity
P-EG
portamento
bend-lever |
no |
Filter
Name |
Signal Class |
IC |
Resonant |
Shape |
Frequency Modulator |
Resonance Modulator |
Shape Modulator |
TVF |
digital |
? |
yes |
low|band|high-pass|peaking |
aftertouch
DBeam
key
LFO1/2
MIDI-CC
MIDI-Bend
velocity
F-EG |
aftertouch
DBeam
key
LFO1/2
MIDI-CC
MIDI-Bend
velocity |
no |
Envelope
Name |
Level |
Rate |
Loop |
Polarity |
Trigger |
Level Modulator |
Rate Modulator |
P-EG |
4 |
4 |
no |
yes |
no |
velocity |
key
velocity |
F-EG |
4 |
4 |
no |
yes |
no |
velocity |
key
velocity |
A-EG |
3 |
4 |
no |
no |
no |
velocity |
key
velocity |
LFO
Name |
Waveform |
Delay |
Polarity |
Sync |
Delay Modulator |
Level Modulator |
Rate Modulator |
LFO1 |
noise
random
saw
sine
square
S/H
trapezoid
triangle
(with
offset) |
attack|decay |
no |
key external |
key |
MIDI-CC1
mod-lever |
aftertouch
DBeam
key
LFO1/2
MIDI-CC
MIDI-Bend
velocity |
LFO2 |
noise
random
saw
sine
square
S/H
trapezoid
triangle
(with
offset) |
attack|decay |
no |
key |
key |
MIDI-CC1
mod-lever |
aftertouch
DBeam
key
LFO1/2
MIDI-CC
MIDI-Bend
velocity |